Drifting Home Review: A Charming Adventure
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Seven children, an abandoned apartment building, an endless body of water and only one goal: to return home. This summer’s coming-of-age story is Drifting Home. Check out this review to see what it’s all about!
Drifting Home Overview
Drifting Home, a fantastic coming-of-age story, was created by Studio Colorido and produced by Twin Engine and Netflix. Burn The Witch, Colorido’s take on Bleach’s spiritual successor, and the hugely popular A Whisker Away are among the company’s Original Net Animations (ONAs). The film is directed by Hiroyasu Ishida and is titled Ame wo Tsugeru Hyouryuu Danchi in the original Japanese. The anime films Penguin Highway and Fastening Days were directed by Ishida.
Drifting Home Review – The Plot
Sonny Boy, who I’m surprised to bring up again, took first place in Leisurebyte’s selection of the best anime of 2021. The program was a surprise inclusion on many fans’ best anime lists, receiving nominations for the Anime of the Year and Director of the Year categories for the Crunchyroll Awards (for what it’s worth). It’s safe to assume that the show has won a lot of people despite not being a popular option, including this author. It’s just a great animation that deserves way more praise than it gets.
Why bring up that episode now? Well, for starters, The Drifting Classroom, a horror manga, serves as a source of inspiration for both. The basic idea is the same: a group of children are stranded in an infinite abyss from which they cannot escape. Due to one of the children’s emotional outbursts and their need to go through their mental obstacles to get out of that situation, both incidents are triggered. Both stories are essentially coming-of-age stories and show these young people how to accept change.
So the crucial question is: is Drifting Home a good movie? Most sure it is. While it has some shortcomings that we’ll mention in a moment, overall it was a very satisfying experience to go through. The film had a clear vision that it held throughout its duration and conveyed a very thorough and satisfying story. The author worked hard to make his vision as consistent and linear as possible, as he had a clear idea of what he wanted to see on screen from the start.
The film put a lot of emphasis on subjects and kept the many themes it chose for its characters. Some of the issues our main characters struggled with throughout the story were growth and learning to accept change. They lose a very important person to them, which damages their relationship with each other. The way the film showed you acting towards someone you think you’ve wronged but don’t have the will to do anything about was incredibly accurate. While I’m really glad it happened, I didn’t expect a show with kids as main characters to go so deep into the human psyche.
Despite being spoken in a different language than the one most of us use, in this case the conversation felt like it was being spoken naturally by the characters. The conversation was straight forward, which may have contributed to the fact that they were all children, as well as aided in the immersion in the film. It also helped that the kids were able to have a poignant conversation without coming across as annoyingly cheesy. While not as much as you’d expect, there was definitely some itch.
The other key element of Drifting Home was loss of attachment or detachment caused by grief. Grief is difficult for grown-ups, but we are talking about children here. A wonderful analogy of what life is like for one who grieves was Natsume’s attachment to the apartment building, the only thing that still roots her. It worked very well as an animated figure who could react and respond to the children’s pain with empathy that the show established a full character on Noppo as an embodiment of attachment and grief. For what it was, this movie was pretty advanced.
Not everything in Drifting Home is sunshine and flowers though, as there were quite a few issues with it. The pace of the movie was the most obvious issue, as it just went on much longer than it needed to. Some scenes took longer than they should, characters didn’t get enough time to grow, and entire scenes should have been left out in the final cut. This issue also affected the conclusion. While it was majestic, emotionally appropriate, and thematically appropriate, it took much longer than it needed to. The experience was largely excellent despite that.
Drifting Home Review – Animation and Music
The characters in Drifting Home are a real mixed bag. While some of what they do is beyond silly, you have to be forgiving because it’s young people who don’t know any better, which is what I was trying to do. Even if most of them eventually learn to be wiser and make better judgments, the tagline for this movie should be “terrible decisions.” It’s hard to put into words how bad it is to see someone repeatedly commit the same mistake, especially after being warned repeatedly about the consequences of their behavior.
This is one character in particular, Natsume, the main female character of Drifting Home. It may seem nitpicky at first. She has to mature a lot because she likes to make mistakes. in fact quite a bit. which will be disastrous for everyone, including her. Fortunately, she learns the lesson the film tried to teach her towards the end, although it did require a lot of significant plot development. She wasn’t exactly a good character, but she wasn’t a complete idiot either.
Drifting Home Terrified
Kosuk can’t get much attention because his only traits were his ability to scream and his dislike of everyone. While much of that is excusable by his young age, the result is hard to see. He doesn’t have much to do in this story other than appear on screen and save Natsume from the traps she digs for herself, but he manages to get it right and is still a lovable protagonist. He still has some lessons to learn, which he does wonderfully.
The remaining cast members are adequate, if somewhat endorsed. They nevertheless have an important role to play in the story, and their unique personalities give much life to the otherwise lifeless scenario. The main character, Reina, is a bit cliche, but entertaining nonetheless. Yuzuru and Taishi, the other two boys, are also respectable. However, Noppo is a bit disappointing. You would expect that he would be a much better character given the kind of role he had in the movie than he actually was. He wasn’t terrible; he was just so bland and boring. Well, not everyone can be successful.
The production quality of Drifting Home was excellent, as is the case with most episodes released today, especially on a platform as important as Netflix Anime. Very skillfully animated were the amusement parks and floating houses, as well as the few fast-paced scenes at the end. The film had a cool filter that gave a sea-like air, which was appropriate for the environment, and the character designs were modern too. Is it finally true that every animation is so excellent that all you can say about this sort of thing is, “Yeah, it was good, I guess?”
On the other hand, the music fainted. It just lacked the seriousness you’d expect from something so ominous. Pleasant music was there, without certainty, but it wasn’t the kind of music that would stay in your memory after the credits ended. The vocal insert songs, especially the city pop song playing in the middle, were excellent. A very forgettable collection of music, other than that.
An endearing and well-written movie that you are likely to discover on Netflix is Drifting Home. The subject matter and animation elevated it beyond what most people would expect, even if the tempo and music weren’t particularly remarkable.
You can watch Drifting Home on Netflix!